Just Before Sunset, Santa Maria della Salute by Walter Launt Palmer (1854-1932), oil on canvas, 11 7/8″ x 8 3/8″, signed lower cetner and dated lower left.
Walter Laurent Palmer grew up playing in a forest of white marble. His father, the esteemed neoclassical sculptor Erastus Dow Palmer, carved his home in Albany into a true upstate salon where creatives roamed freely, including Frederic Edwin Church, the era’s preeminent landscape painter. Calling him the “coming man” for the times, it was Church who first recognized the young Wallie’s genius and took him on as an apprentice. Soon, at just eighteen years old, Palmer began to exhibit his work at the New York National Academy of Design in 1872.
A year after his New York debut, Palmer made a tour of Paris to great critical acclaim, spending the winter studying with Emile Auguste Carolus-Duran and his most famous pupil, John Singer Sargent. Despite these Parisian traipses, it was the bright winters of Palmer’s childhood that occupied most of his subjects. He returned to Albany in 1882 and began to mine the powdery landscapes of his hometown for all the shifting light, delicate forms, and beautiful veins of lavender and blue he had learned, in part, from his study of John Ruskin and the Pre-Raphaelites. In snow, Palmer found his own white marble forest.
For these accomplishments, Palmer was dubbed the definitive "painter of the American winter," and in 1887, awarded the Hallgarten Prize by the National Academy of Design, the very same institution that had first welcomed him as a teenager. A decade later they elected Palmer a full academician.