Jimmy and Lilli Butler at a Table by Theodore Earl Butler (1861-1936), oil on canvas, 22 1/4″ x 25″, signed lower right.
Often eclipsed by his father-in-law, Claude Monet’s, legacy, Theodore Butler remains one of the most innovative Impressionists of his generation. Though initially dismissed as a copyist, critics began to praise Butler’s work as he advanced in his career, most often celebrating his unique visual language and choice of domestic subject matter. An American in Paris, Butler was immediately attracted to the quiet gardens of Giverny, where he met and wed Monet’s step-daughter Suzanne Hoschede in 1892, though Monet was particularly opposed to Butler's insertion into his family. Soon after, Butler became the first American expatriate to establish an artist colony in Giverny.
Influenced by Paul Serusier, Butler’s compositions and distinct style pushed Impressionism towards more expressive executions, often described as “Impressionism gone mad.” Curiously, this expression anticipates the language used by French critics to describe the Fauves a few years later. In this sense, Butler can be seen as a quiet prophet of the imminent movement.